Firstly in Bridges' poem, a picture adoration and sympathy towards Eros is pained. First, the adoration, as seen in the first 3 lines of the poem where Bridges refers to Eros as an "Idol" and a "tyrant." Both idol and tyrant show the great respect that Bridges feels towards Eros and his powers. Bridges goes as far as to call Eros, "[The] king of joy," which is a very literal way of expressing his adoration of the god. The poem also flows with the end-rhyme that bridges instilled throughout the peom. The sweet flow of the words makes the poem sound as if it were to be a song of praise to Eros and not just something for the entertainment of meer men who wish to appreciate love and literature. The final token of appreciation that is given to Eros in this poem would be where Bridges says, "And wouldst in darkness come, but thou/ Makest the light where’er thou go." The reason that this is at the end is that Bridges wanted to leave the reader with the feeling that no matter what darkness lays ahead or in their life, Eros can come in and bring with him, light that will eat the darkness up. This is important to the contrast of the poems because it is here that Bridges makes his statement that humans are worthy of Eros attention.
On the flip side, Stevenson's ideas of Eros are that of a beat up god who has become an abused slave to humankind. The first example of Stevenson's view on Eros is seen right in the beginning where she calls for love and immediately thereafter Eros shows up, "With boxer lips/ And patchy wings askew?’. This is to show that as Eros has been called upon frivolously by many others and his talents have been abused to the point of his unrecognizable demise. In Eros' dialogue in Stevenson's poem, he speaks of how he is,"‘the brute you see/ Is what long overuse/ Has made of me." He feels as though he has been overused and underappreciated. The short choppy lines make the reader feel exacerbated- like they are looking into the damage their recklessness has caused. Later in the poem, Stevenson writes through the words of Eros, "We slaves who are immortal" as to say that humans have elevated themselves to such a place of undeserved privilege that they feel they can make a god their slave.
Although both Stevenson and Bridges wrote of their sympathy for the god of love, Eros, They both did so in a way that reflected their individual views on his role within humankind. Bridges chose to do so in a way that reflected his classical writing style and his personal appreciation for Eros. Whereas Stevenson only wrote of Eros' overuse and underappreciation from the mere morals
