Closed Prompt 2 #4

Eros by Robert Bridges and Eros by Anne Stevenson are both on the same topics of Eros, Greek god of love, but with striking differences in their interpretations. Bridges' version of Eros is classic and beautiful whereas Stevenson's version is dark and disheartening as she describes what people have done to the idea of love. While both poems are written out of sympathy for the god of love, Bridge's tone is a lot more praising, whereas Stevenson is critiquing the way humans have handled love.

Firstly in Bridges' poem, a picture adoration and sympathy towards Eros is pained. First, the adoration, as seen in the first 3 lines of the poem where Bridges refers to Eros as an "Idol" and a "tyrant." Both idol and tyrant show the great respect that Bridges feels towards Eros and his powers. Bridges goes as far as to call Eros, "[The] king of joy," which is a very literal way of expressing his adoration of the god. The poem also flows with the end-rhyme that bridges instilled throughout the peom. The sweet flow of the words makes the poem sound as if it were to be a song of praise to Eros and not just something for the entertainment of meer men who wish to appreciate love and literature. The final token of appreciation that is given to Eros in this poem would be where Bridges says, "And wouldst in darkness come, but thou/ Makest the light where’er thou go." The reason that this is at the end is that Bridges wanted to leave the reader with the feeling that no matter what darkness lays ahead or in their life, Eros can come in and bring with him, light that will eat the darkness up. This is important to the contrast of the poems because it is here that Bridges makes his statement that humans are worthy of Eros attention.

On the flip side, Stevenson's ideas of Eros are that of a beat up god who has become an abused slave to humankind. The first example of Stevenson's view on Eros is seen right in the beginning where she calls for love and immediately thereafter Eros shows up, "With boxer lips/ And patchy wings askew?’. This is to show that as Eros has been called upon frivolously by many others and his talents have been abused to the point of his unrecognizable demise. In Eros' dialogue in Stevenson's poem, he speaks of how he is,"‘the brute you see/ Is what long overuse/ Has made of me." He feels as though he has been overused and underappreciated. The short choppy lines make the reader feel exacerbated- like they are looking into the damage their recklessness has caused. Later in the poem, Stevenson writes through the words of Eros, "We slaves who are immortal" as to say that humans have elevated themselves to such a place of undeserved privilege that they feel they can make a god their slave.

Although both Stevenson and Bridges wrote of their sympathy for the god of love, Eros, They both did so in a way that reflected their individual views on his role within humankind. Bridges chose to do so in a way that reflected his classical writing style and his personal appreciation for Eros. Whereas Stevenson only wrote of Eros' overuse and underappreciation from the mere morals

Closed Prompt 2 #3

Both Keats and Longfellow's poems are about unfulfilled desires and the ever-present idea that death is coming. Later on in both poems, their views shift slightly on the matter of life and what needs to come out of it. Longfellow's view on life stays grim and depressing throughout his poem, whereas Keats wants to see all that life has to offer but is daunted by the fear of death and not accomplishing that which wants.

The most similar part of the poems was in the beginnings of them, both start grim and depressing as they express their disdain towards eventual death. Keat's, "I may cease to be," parallels Longfellow's, "Half of my life is gone," by both expressing their common belief that they may stop living at any point. The similarities between the poems extend to Longfellow saying, "gone, and I have let/
The years slip from me and have not fulfilled/ The aspiration of my youth," and Keats' ominous use of the word "before," implying that there is still so much that he has not done that he wishes to do.

The middle part of both of poems is where Longfellow and Keats start to differentiate their points. Keats starts sharing his desire for romance in line 5, "When I behold, upon the night’s starr’d face,/
Huge cloudy symbols of a high romance," to convey his desire for romance before his passing. In contrast, Longfellow says, "But sorrow, and a care that almost killed,/ Kept me from what I may accomplish yet." Longfellow's views are much grimmer and he believes that overwhelming sorrow and dismay is enough to keep him from acting on his desires. Between the two poems, Longfellow is much more depressing and believes that his desires are not able to be pursued because it is all futile, whereas Keats believes that his desire is enough to keep wishing for it and striving for it.

When I Have Fears and Mezzo Cammin both conclude in a scenic way, hence making them similar on the surface, but different once you read a little beneath the surface. "Then on the shore/ Of the wide world I stand alone, and think/ Till love and fame to nothingness do sink," the conclusion of Keats' poem uses imagery to paint this picture of a man standing and looking out onto the world and reflecting his life. Keats shares his view on his past, and how it was filled with more important ideas, other than if you completed a desire or not. In sharp contrast, Longfellow paints a similar image with a man standing and contemplating his life. " A city in the twilight dim and vast, ....The cataract of Death far thundering from the heights," is Longfellows interpretation of a man looking back at his life. The city is a metaphor for his life- vast and dim, filled with missed opportunities and a sorrowful outlook. The real contrast between Keats' and Longfellow's poems is that Longfellow ends his poem with the cry of death, as to say there is no point because all is futile in the end.

Responce to Class Material #2

VOCAB VOCAB VOCAB!!! Over the past couple of weeks, our class has focused very heavily on literary terms that the AP test goes over and uses. Without going into it, here is a list of words that we went over and learned as a class:
https://docs.google.com/document/d/1qMle5ATnv4AOAEhsidTlwCRCIwukMVXp_yr8_mdbfHI/edit
We also did read and were tested on The American Dream by Edward Albee (See Summary and Analysis of The American Dream).

Those are the two big things we have been focusing on but we have also read a couple of sheets and done a couple practices for the AP exam in May.

Some of the papers that we have read were about different theories of different types of humor and why they are funny, one was on existentialism theory and another on the theater of the absurd. All of the papers helped us to read The American Dream. The main ideas were as simple as what their titles suggest. They were helpful, but their titles say it all. We also read a biography of sorts on Edward Albee and some of his life experiences- abusive parents and what not.

We also had several blog posts that we were to do over the last couple weeks; a couple responses to student responses, a couple mock AP essays and the summary for the American Dream that I mentioned earlier.

From reading student responses along with writing my own essays, I have learned that I need to be careful of summarizing and paraphrasing events and simply focus on making my retelling and referencing more concise when it comes to my explanation and answering of the essay question.

Over the last three days (11-7,8,9) our class also did a tone activity to show how very subtle changes in wording and inflection can change the tone of the phrase. I enjoyed it because several kids in the class made theirs humorous.

Closed Prompt 1 #2

2009
1A: I believe that this student deserved an 8 on the AP grading scale. It was an extremely well-written essay that I hope that I will be able to emulate when it comes time for me to take the AP exam. Student A did a wonderful job delving deeper than the surface of the speech. As written by Shakespear, it pretty hard to understand and so the fact that student A was able to both comprehend and interpret the work was pretty amazing in and of itself. Specifically, I appreciated the fact that the handwriting was legible and grammatically correct. My one nit-picking detail was I would have appreciated a couple more examples, but that is pretty objective considering I am not an AP reader and have not read a thousand other essays.

1B: Student B, in my opinion, deserves a 6 on the AP grading scale.  Just like Student A student B did a great job on their essay and did a pretty good job tapping into the depth of the piece. Granted, I think that A did a little bit better than B but that is simply because A was a lot more thorough in their points regarding the play. One of my critiques of student B  is the fact that they fell victim to the paraphrasing bug when writing their essay. This is something that I will have to be very careful about when it comes to my own AP essay when it comes time to write it. Besides that, I feel that student B did a good job with their introduction and conclusion introducing and finishing their ideas.

1C: Although student C had the nicest handwriting, their essay only deserves a 4 or 5 on the AP essay scale. Just as B did, C used a lot of paraphrasing to cover the fact that the content was pretty shallow. Student C's intro was super promising but fell apart when it came to application. As the essay progressed student C lost a lot of the focus that the initial points needed to execute. C did a great job with their introduction paragraph, they laid their ideas and thoughts out very well. On the other hand, their conclusion was not as great. I believe it was due to the lack of focus that was demonstrated in the body paragraphs. My other critique would be, I would have appreciated more concise examples throughout the essay versus paraphrased sections that had to do with the subtopic.

Closed Promt 2 #2

In the introduction to Ann Petry's novel, The Street, she uses personification, imagery, and figurative language to show Lutie Johnson's relationship to the weather and urban setting. Perty's use of musical devices throughout her introduction gives the reader a sense of if they were reading lyrics to a song or lines of a poem. The beautiful language juxtaposes the ugly weather and bleak city setting, by emphasizing how unpleasant it is outside on the street.

Throughout the introduction, Perty uses an abundance of personification to give the scene movement and life. A couple of the many examples are phrases such as: "Fingering its way along the curb, the
wind set the bits of paper to dancing high in the air", "stuck its fingers inside their coat collars", and "It found every scrap of paper along the street". All of these examples are discussing the biting wind on the street, and by calling the wind "it," Petry gives a sort of life to the wind as it plays with the passers-by on the street. Personification is an important tool that allows the author to turn the wing into something more than just that: something meaningful, and alive.

Secondly, Ann Petry uses imagery to paint concise pictures of the screen on the street and the weather affecting the passers-by on the street. As the reader reads, "A few hurried pedestrians who bent double in an effort to offer the least possible exposed surface to its violent assault" they gain a feeling as if a memory of having to cover all their body so the biting wind outside will not be able to rip the warmth off of their skin. "Her eyeballs were bathed in a rush of coldness and she had to blink in order to read the words on the sign swaying back and forth over her head," is another example of Perty using distinct feelings such as being cold to paint such a vivid picture of the screen. The most vivid of all sentences in this excerpt would have to be, "because its original coat of white paint was streaked with rust where years of rain and snow had finally eaten the paint off down to the metal and the metal 55 had slowly rusted, making a dark red stain like blood," due to the scenes graphic description of the slowly receding pain and the stains that were left in the original paints place.

Finally, Petry used an abundance of figurative language in this excerpt of The Street, by doing so it makes the scene feel like that of one that would be in a song or poetry. The abundance of figurative language can be seen in sentences like, "It even took time to rush into doorways and areaways and find chicken bones and 20 pork-chop bones and pushed them along the curb." The wind did not literally rush into doorways and find chicken bones and exactly 20 pork-chop bones, Petry simply wrote this to explain how strong the wind was, in that it could have picked up and taken away the bones. Another example is, "It found all the dirt and dust and grime on the sidewalk," because yet again the wind did not literally lift up all of the dirt. Although the wind pay of scooped up plenty of dirt and make it swirl throughout the air, the figurative language allows the reader to imagine a scene of chaos and whether attacking the streets of this city.

The Street, by Ann Petry is a beautiful literary work that shows an abundance of musical devices such as, personification, imagery, and figurative language to paint the picture of a cold and windy day in the city. With that being said, Petry did a wonderful job of showing the reader exactly what she wanted them to see on that unpleasant November day in the city.

Late Night Poetry pt 4

Mild disclosure: I am experiencing a mild sugar high at this given time and I'm like 100% sure it is beyond evident...

Hello people of the internet!

How are you all? is life good? I hope so becauseeeeeeee it is time for some

LATE

NIGHT

POETRYYYYYYYYY!!!

With that intellectual intro out of the way here is some of my late night poetry:

La Lumière

Est-ce tu as froid?

Est-ce tu as sommeil?

Est-ce tu as peur d’avoir tort?

Tu as besoin de chaleur

Tu as envie d’avoir raison

Je suis désolé tu ne dois pas la lumière.

And here's a little translation for you all:

The Light
Are you cold ?

Did you sleep?

Are you afraid of being wrong ?

You need heat

You want to be right

I'm sorry you do not have light.

If you have been reading my posts for the last little while you will be aware that some of the stuff I write about deals with some pretty heavy stuff. For those of you who relate to the saddened babble I thought I would share with you a really great app that is offered on Apple devices, I don't know if other servers have it, but it is called Pacifica. Although I wish this was sponsored, it is not, so don't think I am being paid even a little bit for this promo, but this app is great! It allows you to record all the crazy feelings that fly through your mind throughout the day and the emotions that ride around on those thoughts.

Anyways... that's all for now,

Olivia

xoxo